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But, the basic idea is that my thumb plays the bass note as the left hand of the piano would and my index, middle, and ring fingers pluck or brush the top part of the chord as the right hand of the piano would.
The right hand is notated as follows:. I find that using a pick to strum the chords can be a little too harsh sounding for the mood of this tune.
For that reason, I suggest using your fingers to pluck and strum the chords. This is the essence of fingerstyle playing, assigning fingers to specific strings.
I suggest mixing and matching the accompaniment techniques that I describe above as you see fit or, rather, whatever feels right. The pulsing technique is a left-hand technique that is used to create a more percussive feel and will help you create the bouncy groove that makes people tap their feet, bob their heads, and shake their booties.
Fret the chord as you normally would. Then, after you strum, release the pressure of your frethand without letting go of the chord position. The trick is to maintain contact with the strings as you pulse.
Open chords are tricky to pulse because of the open strings. This is a cheat sheet that can help you get through the tune quickly and easily.
I find it indispensable for learning songs and I can also hand it to a seasoned musician and they can follow along without any problems.
This tune has an Instrumental section; however, the chords reflect the Verse at least for the first two bars, but careful with the last two bars these reflect the Intro.
If you enjoyed this piece then I suggest that you check out the music of backup singers James Taylor and Linda Ronstadt. Ed Lozano is a professional guitarist, instructor, producer and published author.
He is a graduate of Berklee College of Music and lives in the Andes mountains. He is a general contributor to the Musika Blog.
Toggle navigation Contact Us Login. Bass Chord: By separating the thumb and fingers we can create more of a rhythmic feel.
Aim to use the thumb on the downbeat think of the bass drum and then freely add the fingers think of snare and hi-hat. This creates a percussive and pianistic effect.
Arpeggios: Individually pluck the notes of the chord. I usually do this to answer the vocal. The previous two techniques I use for supporting the vocal.
This also works well during instrumental sections. This creates more energy and motion. Perfect for increasing the intensity of the song, especially during the chorus.
The Middle M is assigned to the 3rd string. Spoken aloud, this would be 4 counts of Em or Em7 , 2 counts of D, and then 2 counts of Em.
Practice this strumming motion without any chords at first mute all the strings with your left hand , and when comfortable try adding the verse progression of Em-C-D-G with this pattern.
Maintain your accented strums on the quarter note counts each numbered beat. See my video lesson for reference.
If this and my other lessons have proven helpful to you, please consider making a one-time donation to my tip jar.
Contributions of any amount help make this project possible including the many, many hours I put into it. You can also support me on Patreon.
Be sure to never miss a lesson by subscribing on YouTube. I put out new videos every week. These include full song lessons, as well as covers, practice tips, behind-the-scenes updates.
Get the PDF chord sheet 3 pages. Support me on Patreon. Here's a free sample if you're on the fence. I want to live I've been a miner for a heart of gold Em C D G It's these expressions That keep me searching for a heart of gold C C G